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, set in a large single scene, not a narrative strip, was the first continuous comic character in the United States.

The earliest adventure strip was Harold Foster broke completely with the prevailing caricatural style, adopted cinematic techniques, and sought picturesque, documentary realism.

Such was the repute of the dialogue was more important than the deliberately repetitive drawings, which never went beyond the human figure; the content played upon the logic-twisting, deceptive rhetoric of politicians and the neurotic relationships between social competitors and lovers.

Feiffer created scenes in the manner of absurdist or “noir” drama; indeed, a play based on his strip was mounted in 1961..

Perhaps as a reaction, there was a parallel postwar development in newspaper strips devoted to sentimental soap-opera-like domestic drama—such as Walt Kelly, was the most cerebral, socially pointed, and self-reflective of all strips in the mid-20th century, without sacrificing humour.

Disneyish in style, the Pogo social menagerie transcended Disney’s moral simplism, presenting a highly nuanced world populated with an almost Dickensian multitude of characters, all depicted as swamp animals.

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The first true comic books were marketed in 1933 as giveaway advertising premiums.